Monday, December 29, 2008

Less Than Good King Wenceslas

      Almost everyone has heard the popular Christmas carol "Good King Wenceslas," which tells the heartwarming tale of the kindly Czech king who took alms to a poor peasant at yuletide and miraculously saved his trusty page from dying of exposure during their mission of mercy (it could be pointed out that the page would have been snugly sleeping in his warm bed if the king had not dragged him out into the snow in the first place, but that's as may be). The lyrics were set down by Englishman John Mason Neale in the 19th century, and are supposedly taken from an old Czech poem celebrating the deeds of the generous monarch.
      Few are aware, however, that Neale took many liberties with his source material in order to burnish the reputation of the less-than-saintly Wenceslas. The truth only recently came to light when an early, authoritative manuscript of the Czech poem was found behind one of the toilet tanks in the men's room of the Municipal Library of Prague. The newly-discovered document reveals that it was not the king's page who was in attendance with the king but his minstrel. The Broken Stove's resident experts in 14th Century Czech Lavatory Music are proud to present the first English translation of this important cultural discovery, complete with the original stage directions (see footnotes).

The first verse is exactly as Neale's familiar translation records it:
Good King Wenceslas looked out, on the Feast of Stephen,
When the snow lay round about, deep and crisp and even;
Brightly shone the moon that night, tho' the frost was cruel,
When a poor man came in sight, gath'ring winter fuel.
It's not until the second verse that Neale diverges from the original Czech, and his bowdlerizing becomes apparent. Having seen the peasant, the king calls on his minstrel:
Bring me wine and bring me flesh, bring me faggots hither,
Write a song of my largesse, play it on the zither,1
Make me sound magnanimous, handsome and endow-éd,
If it does not gladden Us, you'll be dis-em-bowel-éd.2

Make my song have harmonies, pleasing to the senses,
Or I'll hoist your progeny, high on pointy fences3
All your children will be killed, while you watch in horror,
But their entrails won't be spilled,4 'til I've had your daugh-augh-ter.5

Take6 these faggots and this wood, take them with my blessing,
These kittens are mickle good, try them with the dressing,
Someone fetch the minstrel's lass, while he is composing,
Drink my toast and raise your glass, "May the Queen keep doh-oh-zing."

1(meat, wine & faggots are brought--the latter are gaily dressed, carrying wood; dancing, merriment)
2(dancing, merriment stop; long, uncomfortable pause; king finally laughs heartily; dancing, merriment resume--less gaily now)
3(dancing, merriment stop)
4(fermata on "spilled"; minstrel fawns pathetically)
5(minstrel flees back to castle, trying to remember where zither is kept)
6(king puts arm around peasant, who had made as if to wander off)

Thursday, December 25, 2008

Some Random Stuff I Like About Christmas

antique ornament
  • The Glowing Potential of Packages Under the Tree—Sure, I like ripping into my Christmas presents as much as the next maturity-challenged 40-something, but even more than the gifts themselves, I like seeing the packages under the tree, reflecting the warm glow of the multicolored lights, smugly taunting me with their promise of riches to come. When my brothers and I were kids, my parents had a strict do-not-wake-us-before-7AM Christmas morning policy, and no one was allowed to open anything until they came down from on high. packagesSince the anticipatory adrenaline coursing through our greedy little veins generally woke us up no later than 6:00, we’d have to just sit and stare at the loot that had appeared in the night. And if you actually enjoy creating a prettily wrapped package like my wife and I do, the accumulation of colorful papers and ribbons is a joy to behold. Until you rip it all to shreds, that is.
  • Fruitcake—I’m sick and tired of lame fruitcake jokes. The only people who joke about how awful fruitcake is are the people who have never had a fruitcake made by someone who knows how. Real fruitcake does not include those awful bits of bright red and green plastic that grocery stores try to sell you when they create the display of fruitcake ingredients. Real fruitcake requires real fruit: dried apricots, figs, dates, pears, golden raisins, cherries and citron. And good nutmeg, vanilla and cinammon. And hazelnuts. And maybe some orange zest and even a bit of orange blossom water. And of course, rum. Lots of rum. Real fruitcake is absolutely delicious—and nobody’s doorstop.
  • Digital cameras—OK, maybe digital cameras aren’t exactly a Christmas thing, but they allow you to take as many Christmas pictures as you like without worrying about how much film you’re wasting. Digital cameras give you a chance to stumble into cool shots like the one here—the ghost hand in the glass ornament.
glass ornament with ghost handglass ornament with ghost hand closeup
Well, I thought it was pretty cool.
  • Stockings Stuffed to Bursting
  • Donna’s Christmas Dinner
  • Dogs and Cats Sleeping Peacefully Together in Front of a Crackling Fireplace
  • Hearing my father-in-law go off on football’s “breaking the plane of the goal line” rule for the 6,437th time—“That’s not a touchdown! You used to have to carry the ball and your whole body into the end zone; now all you have to do is wave the ball at the pylon. That’s not a touchdown.” In a world of change and uncertainty, it's an oddly reassuring reminder that at least some things will go on forever.
  • Antique Ornaments
  • Making a Harried Store Clerk Smile or Laugh--maybe by cracking a joke, or by helping to bag my own stuff, or by simply not being a total asshole.
Merry Christmas and Happy New Year!

Wednesday, December 10, 2008

"F" is for Frequent Firsts Like "For" and "From"

      Running across a new internet music meme at truffin.com (see my last post) has inspired me to return to the alphabetical stroll through my iPod. I've worked my way up to "F" now, and it turns out that of the 165 songs currently on my iPod that start with "F", dozens of them begin with some form of just a handful of the same words: for, from, fall, fly, and fire. Below are some of my favorites for each word.

"For" (begins 11 song titles)

  • "For a Dancer" by Jackson Browne from "Solo Acoustic, Vol. 1"
    I can't claim to be a huge Jackson Browne fan; I generally like his songs when I stumble across them, but the only album of his that I actually own is the excellent and intimate "Solo Acoustic" live performance. There's not a dud on the whole thing, and even most of the between-song patter is entertaining. Here's "For a Dancer" as he was performing it in the 70's, which is not much different from the contemporary "Solo Acoustic" performance.


  • "For Heaven's Sake" by 16 Horsepower from "Low Estate"
    The sound of 16 Horsepower is a little hard to describe--imagine if you saw a sign outside a club that said, "Hootenanny Tonight," and when you went inside you discovered that the band playing the hootenanny was Nirvana. The sound on this live version is pretty rough, but here you go:


    and the "For" also-rans...
  • "For Emily, Whenever I May Find Her" by Simon & Garfunkel
  • "For Everyman" by Jackson Browne
  • "For My Lover" by Tracy Chapman
  • "For Never More" by The Reverend Horton Heat
  • "For The Loser (Hallelujah!)" by the Rave-Ups
  • "For The Turnstiles" by Neil Young
  • "For Tomorrow" by Blur
  • "For You" by Tracy Chapman
  • "For Your Babies" by Simply Red

"From" (begins 9 song titles)

  • "From My Own True Love (Lost at Sea)" by The Decemberists from "Picaresque"
    Any band that would actually know the meaning of the word "Picaresque" is already one up in my book, and their quirky, prog-rock, English Major-friendly songs seal the deal for me. "From My Own True Love" is not necessarily the song I would pick to introduce them to a prospective listener (that would probably be "The Mariner's Revenge Song"), but it still gives a pretty good idea of what The Decemberists are all about. The only version I could find at YouTube is one some fan attached to one of Spielberg's most shameless moments (from "Saving Private Ryan"), but what are you gonna do?


  • "From Blown Speakers" by The New Pornographers from "Electric Version"
    The New Pornographers are a fantastic power pop band cobbled together from members of various (mostly Canadian) bands, led by Carl Newman and sometimes featuring Neko Case on vocals or backing vocals. Even the most casual reader of this blog will probably have encountered my infatuation with the inimitable Ms. Case and therefore not be surprised with my interest in any musical project that includes her, even down to "Neko Case's Favorite Scottish Martial Music for Solo Accordion" (if you've got a copy, I'll give you $50 for it). But TNP are definitely their own thing, with or without Neko, and their mostly fast, loud, and impossibly hook-y pop tunes couldn't be much further removed from Neko's dark and brooding solo work. Her participation, therefore, is just another excuse for me to think she's great.

  • and the "From" also-rans...
  • "From A Late Night Train" by The Blue Nile
  • "From Her To Eternity" by Nick Cave & the Bad Seeds
  • "From Here To Eternity" by Big Country
  • "From Our T.V. Teens To The Tomb" by Maria McKee
  • "From Rags To Riches" by The Blue Nile
  • "From The Edge Of The Deep Green Sea" by The Cure
  • "From the Morning" by Nick Drake

"Fall" (begins 9 song titles)

  • "Falling for the First Time" by Barenaked Ladies from "Maroon"
    Speaking of impossibly hook-y power pop bands, Barenaked Ladies rank with the best of them. They've quietly put together a decades-long career that, without the benefit of any real breakthrough hit songs, has nevertheless built them an enthusiastic critical following and a near-cultish fanbase. I have to admit to being a late-arriving passenger on the Barenaked bandwagon (early 00's maybe?), but what I lack in "I-knew them-when" cred is made up for by my zeal of the newly converted.


  • and the "Fall" also-rans...
  • "Fall At Your Feet" by Crowded House
  • "Fall Down" by Toad the Wet Sprocket
  • "Fall Down (Like The Rain)" by The Mighty Lemon Drops
  • "Fall On Me" by REM
  • "Fallen" by Sarah McLachlan
  • "Falling" by Glen Phillips
  • "Falling In Love Again" by Linda Ronstadt w/ the Nelson Riddle Orchestra
  • "Falling Through Your Clothes" by The New Pornographers

"Fire" (begins 7 song titles)

  • "Fired" by Ben Folds from "Rocking the Suburbs"
    I really like Ben Folds a lot, mostly because it's just so nice to see a really talented musician break the guitar-bass-drums mold of pop and rock music and create a signature sound. This is a song about how sometimes there are just so many people around that you want to tell them, "get the hell off my planet, you're fired." In the clip below, an a capella group from Stanford enters their version of "Fired" into an a capella contest of Ben Folds songs. No, I don't know if they won, but they're pretty good.


  • and the "Fire" also-rans...
  • "Fire" by Bruce Springsteen
  • "Fire from Heaven" by Guadalcanal Diary
  • "Fire In The Engine Room" by Richard Thompson
  • "Fire In The Hole" by The BoDeans
  • "Fire Island" by Fountains of Wayne
  • "Firecracker" by Ryan Adams

"Fly" (begins 8 songs)

  • "The Fly" by U2 from "Achtung Baby"
    The first incarnation of U2's mega-stardom, which peaked with the smash release of "The Joshua Tree" in 1987, had faded a bit by 1991, when I went to live in Japan for a couple of years. By the time I bought "Achtung Baby" as an import in Fukuoka that year, I had been listening to their earliest hits for nearly ten years, and their readily identifiable sound had grown a bit stale. When I got home and stuck it in the boombox, "Zoo Station" and the early tracks of "Achtung Baby" made it clear that they had found a new direction, but I wasn't fully convinced until track seven, when the Edge kicked in with that snarling, echoey lick that opens "The Fly." I wore that disc out during the next two years, and to this day, hearing any of the tracks on "Achtung Baby" will evoke the smell of tatami mats and the udon shop, and a thousand other associations of that great time in Japan. "The Fly" should always be played at MAXIMUM VOLUME, and since the only thing that sounds worse than streaming audio is streaming audio played at maximum volume, you should get the CD, punch track number seven, and TURN IT UP.


  • and the "Fly" also-rans...
  • "Fly" by Nick Drake
  • "Fly By Night" by Rush
  • "Fly From Heaven" by Toad the Wet Sprocket
  • "Fly On The Wall" by XTC
  • "Flying" by Chris Isaak
  • "Flying" by Joe Jackson
  • "Flyswatter/Ice Water Blues" by Lyle Lovett

Tuesday, December 9, 2008

Fantasia on a Theme By Thomas Tallis: Yet Another Music Meme, Mad-Libs Version


Take your iPod in your hand:

1. Put your music on Shuffle.
2. For each question, press the Next button to get your answer.
3. YOU MUST WRITE THAT SONG NAME DOWN NO MATTER HOW SILLY IT SOUNDS!

IF SOMEONE SAYS “IS THIS OKAY” YOU SAY?
Sleight of Hand (Pearl Jam)

WHAT WOULD BEST DESCRIBE YOUR PERSONALITY?
These Dreams of You (Van Morrison)

WHAT DO YOU LIKE IN A GUY/GIRL?
Independence Day (Bruce Springsteen)

WHAT IS YOUR LIFE’S PURPOSE?
Love Fall Down (Dreams So Real)

WHAT IS YOUR MOTTO?
Doo Wop [That Thing] (Lauryn Hill) And I have always lived by it.

WHAT DO YOUR FRIENDS THINK OF YOU?
Insignificance (Pearl Jam) ouch!

WHAT DO YOU THINK ABOUT VERY OFTEN?
Store Bought Bones (The Raconteurs)

WHAT IS 2+2?
Blue (The Jayhawks)

WHAT DO YOU THINK OF YOUR BEST FRIEND?
I Need You Tonight (Buddy Guy)

WHAT DO YOU THINK OF THE PERSON YOU LIKE?
Government Cheese (The Rainmakers)

WHAT IS YOUR LIFE STORY?
Rockafella Skank (Fatboy Slim)

WHAT DO YOU WANT TO BE WHEN YOU GROW UP?
Goin' Downtown (Joe Jackson)

WHAT DO YOU THINK WHEN YOU SEE THE PERSON YOU LIKE?
Scuttle Buttin' (Stevie Ray Vaughan)

WHAT DO YOUR PARENTS THINK OF YOU?
Pretty Girls (Neko Case) This could explain a lot. I suppose after four boys, Mom might have been in denial when she had a fifth and just decided to think of me as her "pretty girl" instead. :-)

WHAT WILL YOU DANCE TO AT YOUR WEDDING?
Fruits of My Labor (Lucinda Williams)

WHAT WILL THEY PLAY AT YOUR FUNERAL?
Golden Rope (16 Horsepower)

WHAT IS YOUR HOBBY/INTEREST?
You'll Be Mine (Stevie Ray Vaughan)

WHAT IS YOUR BIGGEST SECRET?
Heart of Gold (Neil Young)

WHAT DO YOU THINK OF YOUR FRIENDS?
Misery (The BoDeans) ouch again, this time for my friends

WHAT’S THE WORST THING THAT COULD HAPPEN?
Sleep Now in the Fire (Rage Against the Machine) that's my favorite so far

HOW WILL YOU DIE?
Henry (Keb' Mo') I will now avoid all people named Henry

WHAT IS THE ONE THING YOU REGRET?
Perfect One (Phil Roy)

WHAT MAKES YOU LAUGH?
Edible Flowers (The Finn Brothers)

WHAT MAKES YOU CRY?
The Other Side of the Coin (Solomon Burke) that one almost sounds profound

WILL YOU EVER GET MARRIED?
Duvet [Lain Theme] (BOA)

WHAT SCARES YOU THE MOST?
Fleashine (Kelly Joe Phelps)

DOES ANYONE LIKE YOU?
An Emotional Time (Hothouse Flowers)

IF YOU COULD GO BACK IN TIME, WHAT WOULD YOU CHANGE?
The Rising (Bruce Springsteen)

WHAT HURTS RIGHT NOW?
Adelaide (Ben Folds)

WHAT WILL YOU POST THIS AS?
Fantasia on a Theme by Thomas Tallis (Ralph Vaughan Williams)

Thursday, December 4, 2008

News You Can (ab)Use: Auto Execs Flex Pecs in Boffo Beefcake Bailout Bid

      Having failed to move Congress with a plea for bailout funds for their ailing companies, Big Three auto executives Alan Mulally of Ford, Rick Wagoner of GM, and Robert Nardelli of Chrysler have decided to take their appeal directly to the public by getting back to their industry's core business model--sex sells.
      Taking a cue from the sexy sexagenarians of "Calendar Girls," the hunky head honchos have gotten together to produce a flirty fundraising calendar of their own: "Sizzling CEO's--The Divine Dudes of Detroit." All proceeds from the calendar sales will go towards staving off the ignominy of running giant, successful companies into the ground--at least to the end of the fiscal year.
      "I was so nervous before the shoot," said Mulally (Mr. October), seen below posing-down one of his Shelby muscle cars with his own impressive unibody frame. "But the photographer was so sweet and gentle with me that by the time they oiled me up I just thought, 'What the heck, I'm going for it!'"Mr. October Mulally
      According to one calendar entry, the turn-ons of Chrysler cutie Robert Nardelli (Mr. July, below) include "walks on the beach; strong, independent women; and slashing redundant workforce units." Nardelli, too, was nervous about baring all for the bottom line. "For the two weeks before, I lived on nothing but Danish crackers and imported Peruvian spring water, trying to get my weight down," said Nardelli. "Oh, and Beluga caviar, just a little--for the protein." Mr. July Nardelli
      As of press time, GM he-man Wagoner (seen here as Mr. May) was in hospital being treated for "an exploded bicep muscle," and was unavailable for comment. But a spokesperson for the beefy boss promised that his spread for August was so hot, we "wouldn't be able to run it in a family paper. All I can say is, it suggests more than one full-size Hummer. If you know what I mean."Mr. May Wagoner
      So far sales of the calendar have been disappointing, which industry experts have attributed to its $29,900 MSRP and a spate of recalls, including one batch of calendars which left the printer with staples that would unexpectedly burst into flames. Nardelli shrugged off the calendar's slow start, saying, "We're looking into the price point and considering offering an economy calendar with just eight or nine months in it. We've also got a fantastic 0% financing offer for qualified buyers, and our engineers have figured out a work-around for the staple problem, which only affected a small percentage of customers in the first place. And none of those deaths have been conclusively linked to the calendar. Anyway, what are people gonna do, buy the Japanese auto executives' calendar? Please. Those guys are tiny."

Wednesday, November 12, 2008

"I Meant My Rights, Not Yours," or The Relativity of Civility: Curmudgeon's Corner (9)

      Smokey Burner, the Broken Stove's resident curmudgeon, is not a political animal. Smokey is registered Independent, votes on a regular basis, and has strong opinions that he is not reluctant to share, but Smokey has never actively campaigned for a political candidate and has no particular axe to grind. Smokey is glad that the ACLU exists, but is sometimes dismayed by the cases they take on. Smokey believes in the ethical treatment of animals, but wishes PETA were not on his side. Smokey voted for Obama, but won't believe Change is afoot until he Sees Some. You get the idea.
      Having said that, Smokey hopes not to be dismissed as a radical leftist when he reports that he's disappointed that California passed its Proposition 8 to ban gay marriages in that state. Smokey cannot see any way in which his own happy marriage is threatened or diminished by loving same-sex couples seeking the same comfort, stability, and benefits which a committed, monogamous, state-sanctioned relationship offers him. Homosexual couples view this as a civil rights issue, and Smokey agrees. Civil rights, however, are a two-way street. And some gay rights advocates are hogging the road.
      Smokey is referring to a recent AP wire story about the resignation of a Sacramento theater director under pressure from the gay community. Here's an excerpt:
SACRAMENTO, Calif. (AP) — The artistic director at California's largest nonprofit musical theater company resigned Wednesday amid protests over his donation to a campaign to ban gay marriage in the state.

Scott Eckern stepped down from his job at the California Musical Theater in Sacramento after some gay activists called for a theater boycott....

Eckern said he "chose to act upon my belief that the traditional definition of marriage should be preserved" but had no idea his contribution would generate such controversy....

The boycott calls — led by artists including "Hairspray" composer Marc Shaiman — began after activists learned Eckern contributed $1,000 to the Yes on 8 campaign. Last week, voters approved Proposition 8, which changes the constitution to ban same-sex marriage.
      Not cool. Even if Smokey were willing to concede that a non-profit organization maybe has a little more leeway than a for-profit company or the government in expecting its members to conform to a group ideology (which is a big "if," by the way), think about this. What if it had been reported that a director for a conservative group--like, say, the Boy Scouts of America--had donated $1,000 to the Vote No on Prop 8 campaign, and members of the Boy Scouts had subsequently threatened to withdraw their support unless the offending director resigned? The very same folks behind the threatened Sacramento theater boycott, those responsible for the resignation of a man who was exercising his right to hold a belief which they found offensive (a man who worked closely with gay artists his entire professional life even though his church told him they were sinners), would scream bloody murder and have the Boy Scouts in court for it before you could shout TIMMAYYY! (Smokey apologizes for the possibly-obscure South Park reference).
      Guys. Lots of people just like Smokey want to be on your side. But you can't have your gay rights cake and eat it, too. Tolerant is as tolerant does.

Wednesday, November 5, 2008

A Post Election Day Poem

      This is a little post-election day poem (more like a "pome," if you know what I mean), inspired in part by the awesome undertaking of the NPAD project at truffin.com. I haven't thought of any better title than the first line, so let's call it "Hope is the spore of Maybe."
Hope is the spore of Maybe
that lands on the fallen and rotting trunk of No,
and instead of dying in its turn,
conducts the corruption to a secret, inner crucible

where, shadowed even from the sunlight of Reason,
through an ineffable alchemy
unrecorded in any text,
Hope transforms that dross to the
perfection of an infinite spoked circle, capped with
a crenelated white dome of Possibility.

Saturday, October 4, 2008

Budweiser Reaches Out to Fans of Craft Brews (Maybe)--Budweiser American Ale

      Lately I've been seeing commercials for Budweiser's new American Ale, which seems to be the brewing giant's attempt to appeal to the craft brew crowd--an apparent indication that they may actually now fear losing customers to the hundreds of little breweries (and homebrewers!) that have popped up around the country. But they haven't exactly launched what you might call a full-scale marketing assault, so I've been curious about their intentions for the new variety. Are they truly test-marketing a new, more sophisticated taste to please America's ever-more beer-savvy market? Or are they just wondering if they can get away with charging a fancier price for what people might perceive to be a fancier beer?
      Either way, I figured I'd give it an honest try--I would ignore its provenance and evaluate it as I would any other beer I'd never tasted before. I even made sure I hadn't eaten or drunk anything in a while, just so I'd have a clean palette. I have to admit, however, that I was made suspicious of Budweiser's intentions right off the bat, when I discovered that they had given the bottle a non-twistoff cap. Seemed a bit desperate, that.
      I gave it my usual pour--first half down the side and second half straight up. It produced a respectable, slightly lacy one-finger head that demonstrated decent staying power. The color was a shiny ruby-amber, leaning a bit toward the ruby side. It presented very little malt aroma, just a slightly aggressive, acidic hops smell. The first sips again betrayed an under-achieving mix of malts, with a lightweight, fizzy mouthfeel. The followup was pretty hoppy but fairly unpleasant--the hops came forward more as bitter and metallic, rather than sharp and citrusy as you might expect in an APA.
      Not surprisingly, it proved easy to drink, but the overall experience was disappointing--I felt as if most of my palette was left with nothing to do. I wanted a cracker or a piece of bread or something, just to engage my grain flavor receptors. The American Ale is a step above Budweiser's famous lager, but only just. I'm still not sure exactly what Budweiser's up to here, but whatever their intentions, I doubt the American Ale will be around for long.

Monday, September 29, 2008

Mets Collapse Again--Who Says History Never Repeats?

      Well, I do actually. Yes, once again, the Mets' playoff hopes were dashed by the Florida Marlins on the last day of the season, thanks to a miserable final two weeks. But though the heartbreaking result was the same as in 2007, history didn't exactly repeat itself in 2008.
      Last year, the highly-paid Mets stars pressed and underperformed at crunch time, failing to produce when it mattered most. This year the stars all played pretty well (that fateful Cubs game notwithstanding), but were repeatedly let down by what turned out to be the worst bullpen in the National League--perhaps the worst Mets bullpen Shea has seen since Casey Stengel sat scratching his head in the dugout. While front-office management can't produce on the field, and the loss of Billy Wagner could not have been predicted, a group of players at or near the top in most offensive, defensive, and starting pitching statistics might be forgiven if they look to Minaya and the personnel powers that be and wonder why there was no fourth wheel on the playoff bus.
      So go ahead and tear the dump down and move next door. Shake the dust from your cleats. After the last two years--if it weren't for a handful of magic World Series moments at Shea--I'd say go ahead and salt the earth while you're at it. Let's go Mets!

Saturday, September 27, 2008

New VISA ad to Feature Johan Santana

  • One baseball program--with pencil--to document what might have been the final meaningful game of the Mets' season--$3
  • One complete New York Mets uniform, number 57, including pitcher's glove and rosin bag--$284
  • One season of ace left-handed starting pitching--$16,984,216
  • Nine innings of shut-out ball on three days rest with the season on the line--priceless

Thursday, September 25, 2008

Mets Cling to Flickering Spark of Life

      During the press conference after a gutsy, come-from-behind win against the Cubs in the wind and pouring rain at Shea, an excited but surprisingly pale Jerry Manuel talks about the Mets' hope for the postseason.

Mets Celebrate Second Annual September ChokeFest: Curmudgeon's Corner (8)

      Smokey Burner, the Broken Stove's resident curmudgeon, doesn't often find himself at a loss for words, but that is the case with Smokey this morning. You see, Smokey is a Mets fan, and last night Smokey watched his Mets--for the second year in a row--make early plans for their October golf vacations. Technically, they were playing an important game against the Cubs in the middle of a playoff race, but metaphorically, they were on the phone with their travel agents, booking flights to Pebble Beach.
      And Smokey witnessed the whole bloody debacle. Smokey cheered when Carlos Delgado, who has almost single-handedly carried the team to the brink of the playoffs since the All-Star break, hit a grand slam to give the Mets a four run lead. Smokey frowned when volatile pitcher Oliver Perez told Carlos "thanks, but no thanks" and promptly pissed that lead away. Smokey's flagging hopes were raised in consecutive innings when the Mets had a runner on third with nobody out, then dashed as they only managed one run in those innings--on a bases-loaded walk.
      But the much-maligned bullpen was doing just well enough to give the Mets a shot, and when the bottom of the ninth rolled around they were still tied at six. Then rookie Daniel Murphy, a bright spot in the lineup all year, opened the bottom of the ninth with a triple, and the heart of the order was coming up. Smokey wondered to himself about the statistics--with a runner on third and nobody out, how often does at least one run score? Seventy percent of the time? Eighty? More? David Wright--the Mets' RBI leader--had a 3-0 count, but could not single, or fly out, or even ground out to the right side of the infield. He struck out swinging at ball four. That's all right, thought Smokey, we've got two more shots, and the odds are still way with us. The Cubs walked Delgado and Beltran to get to Church, who grounded meekly into a force at the plate. Suddenly, Smokey was less sanguine. Suddenly, Smokey had thoughts of 2007 and deja vu all over again. Sure enough, Ramon Castro then struck out on three pitches, and Smokey knew what would happen next.
      Let's try a little hypothetical exercise, shall we? In a key game for them, and knowing the team they are chasing in the standings has already lost that day, a baseball team (let's call them the Mutts) have three consecutive innings (including the bottom of the ninth) with runners on third and nobody out--and manage only one run. Their opponents (let's call them the Cabs), in a game that doesn't matter to them at all, have two outs and nobody on in the tenth inning, then score three runs to win the game. Which of these teams is most likely to already be in the playoffs? Oh, yes, Smokey knows the Mutts, umm Mets, might still sneak into the playoffs ahead of the Brewers. Heck, they might even catch a break and catch the Phillies.
      But Smokey knows they've already made that metaphorical call to the travel agent. Smokey knows they've already got tee times.

Friday, September 5, 2008

The Dangers of Living Green, or The Attack of the Beast with Two Cheeks

      Whenever the weather's fine, my wife and I like to save a little electricity by hanging our clothes out on the deck and taking advantage of some of that free solar power that's so plentiful here in North Carolina. It might not end our national dependence on foreign oil, but it keeps the electric clothes dryer silent for several months a year. Plus, it makes the clothes smell good.
      I discovered yesterday, however, that green living is not without its dangers. I had just showered and pulled on a t-shirt and pair of shorts that had dried out on the line the day before. As I stood in the bathroom brushing my hair, I heard a buzzing, like a fly caught in a window. But loud. I couldn't quite place where the little guy was, but since I was standing right next to the window, I assumed he was trapped behind the blinds. But, man, did that bug sound pissed off. And loud. Too loud for a housefly. Maybe he was one of those big horseflies...but, you know...he really sounded more like a bee. And loud. And closer even than the window.
      The exact nature and location of the insect in question were finally made clear to me when the little bastard stung me twice in the ass. I quickly vacated the bathroom and my clothes, and retreated to the living room to assess the situation. When my brain finally cycled out of ass-preservation mode, I realized that a bee had gotten caught up in my clothes from the line and spent what must have been a long, dark night of the soul trapped in my shorts in my dresser drawer. Since he had already had a bad night, I shouldn't exactly have been surprised that he reacted less than charitably to finding himself swept up once again and trapped against my naked ass. His reaction, while regrettable, can hardly be second-guessed.
      I've been saying "he," but really I should say "she." When I girded up my loins and returned to my abandoned clothes, I discovered a Xylocopa, or carpenter bee, still dazed and obviously traumatized, clinging to the inside of my shorts. According to Wikipedia--the fount of all suspect knowledge--among carpenter bees, "males are harmless since they do not have a stinger. Female bees do have a stinger, but are not aggressive, and will not sting unless directly provoked." I must admit that shutting her in my drawer and then pressing her against my ass cannot be considered as anything other than provocative.
      Animal lovers will be glad to hear that I decided against retribution, and imprisoned Mrs. Carpenter only long enough to show her to my wife and tell my tale of woe. After the requisite laughter at my expense, Donna released her back into the garden, where Mrs. Carpenter was last seen lustily pollinating one of our sedum plants, and presumably sharing with her apian friends her own harrowing tale--of a dark night, sudden movement, and the attack of the beast with two cheeks.

Sunday, August 31, 2008

News You Can (ab)Use: Large Font, Wide Margins Fill Out Sarah Palin's Impressive Résumé

Sarah Palin then and nowDateline: Somewhere the hell in Alaska
      Republican Party leadership has responded to accusations that Sarah Palin, their newly announced candidate for the Vice Presidency, is unqualified for such high office by touting her résumé, which they point out runs to nearly three pages.
      Further review of Gov. Palin's résumé by the Broken Stove's Human Resources Department, however, reveals that the document owes much of its length to double-spacing, 2-inch margins, and liberal use of a bold 16-point font.
      On page one, Gov. Palin touts her accomplishments as the youngest-ever Governor of Alaska, where she has spearheaded government ethics probes and saved the state millions of dollars by canceling the much-ridiculed "Bridge to Nowhere" boondoggle. She also lists her time on a state energy commission and her stint as Mayor of the town of Wasilla (pop. 9,780).
      On page two, Gov. Palin works back to her time as runner-up to "Miss Alaska," pointing out that she also won that pageant's title of "Miss Congeniality," which she insists "all the girls know is actually the higher honor," and demonstrates her diplomatic skills and her ability to work well with others, "even the really bitchy ones."
      And finally on page three, Gov. Palin lists her proudest moments as chairwoman of her local PTA, and names some of the prominent Alaskan families for whom she babysat while in high school. The résumé ends halfway down page three with her three-month stint at the Anchorage McDonald's in 1980.
      In an interview on Fox News Sunday, Republican National Committee Chairman Mike Duncan praised Palin and her record, saying, "The office of Vice President requires an enthusiastic worker with a can-do attitude, who can work well in a fast-paced team environment, follow instructions and multi-task, and present a bright, clean appearance to the public. All of these are qualities that Mrs. Palin will bring to the Vice Presidency, having had them forged in the crucible of that invaluable summer at McDonalds."

Friday, August 29, 2008

News You Can (ab)Use: David Duchovny Enters Rehab for Sex Addiction; Husbands Everywhere Attempt Poker Faces

      David Duchovny, star of The X-Files and the Showtime series Californication--in which he plays an oversexed writer--has voluntarily entered a rehabilitation facility to be treated for sex addiction, according to a spokesperson.
      An informal poll of couples leaving a showing of Duchovny's latest movie, The X-Files: I Want to Believe, indicates that fan reaction to the news is divided almost exactly along gender lines. Female fans generally expressed concern and support for the family, while most male fans simply clenched their fists, stared fixedly at a distant point in space, and choked back the small, involuntary noises coming from the back of their throat.
      Tom and Mary Redmond, self-professed "X-Files X-tremeists" from Raleigh, North Carolina, expressed opinions shared by many of the couples polled. "I'm just glad he's seeking out some professional help," said Mary. "Just acknowledging that he has a problem is probably half the battle, don't you think, honey?"
      "Mmmmm. Mmmmhmmmmm," said Tom, turning to the side and avoiding eye contact with the male reporter. "I'm sure you're right," he added, biting down hard on several of his knuckles.
      While Mary turned to greet another couple she knew, Tom took the opportunity, in a stage whisper, to clarify his thoughts on the matter. "Dude! What is he thinking? He's married to Téa Leoni. Téa Leoni! I would never leave the freakin' bedroom! Doesn't he at least have high-speed internet?" As Mary turned back to the conversation, Tom added something about what a shame it was for the kids, then spent an inordinate amount of time holding a napkin to his face and blowing his nose.
      Duchovny was originally expected to stay in the rehab center for four weeks, but according to representatives at Sister Chastity's Home for Wayward Boys, an extra two weeks probation has been added as punishment for hitting on the receptionist while he checked in.

Wednesday, August 27, 2008

Kumo No Yukou, Yakusoku No Basho (2004)
The Place Promised in Our Early Days (DVD)

Place Promised in Our Early Days Poster      I'm not a die-hard fan of the anime genre--more of what you might call a hopeful fan. It's a genre that I want to like, because it puts science fiction and fantasy out there into the world, reconnects me with Japanese (pop) culture, and because I appreciate the craftsmanship involved. But even more than mainstream Hollywood, the world of anime relies heavily on a handful of tired formulae aimed mostly at very young viewers, and because of the relatively low production costs of anime, its crap-to-quality ratio is shockingly high, even by Hollywood's standards. A few directors and their anime have stood out and can pass the "blush test" with serious film fans--Ohtomo with Akira and Steamboy, Oshii's Ghost in the Shell, Arias's Tekon kinkuriito, and of course just about all of Miyazaki's work since the Lupin movies. There are others of course, but sadly, most of it is disposable, at best.
      That's why it's always so nice to encounter an anime that makes me feel like my appreciation of it could benefit from a second viewing. The Place Promised in our Early Days, directed by Makoto Shinkai, is such a movie (a more literal translation of the title would probably be "The Clouds Will Part to Reveal the Land of Promise," but the English title is apropos). It's an alternate history tale about a post-war Japan in which Japan's northern island Hokkaido was occupied and isolated by a mysterious political force called "the Union," which erected a gigantic, mysterious tower that looms over the entire country and feeds the curiosity of two high school friends who plan to build a homemade plane and fly it to the forbidden zone of the tower.
      It's an enigmatic story about youth, divergent lives, and a search for purpose in the world, and if my memories from long-ago readings serve, has interesting parallels with Ray Bradbury's Dandelion Wine. It's also one of the most visually beautiful anime I've ever seen, including Miyazaki's best work. If you're even slightly curious about dabbling in anime, I would recommend Place as an exemplar of what the genre can accomplish.

News You Can (ab)Use: Shia LaBeouf Unable to Reconcile with Estranged Sister, Sunni

Shia LaBeoufDateline: Griffith Park, Los Angeles
      During the LaBeouf family reunion at scenic Griffith Park in Los Angeles yesterday, actor Shia LaBeouf admitted to reporters that, despite many overtures of peace from both sides of their conflict, he and his sister Sunni still remain hopelessly estranged.
      "I don't know what it is with the two of us," said LaBeouf, crouching behind an overturned picnic table as small arms fire whistled overhead, "but whenever we get together we fight like cats and dogs." LaBeouf paused a moment to lob a grenade in the direction of Sunni's table. "Maybe we're just too much of the same kind, y'know?"
      When asked about the origins of the sibling rivalry, Shia seemed uncertain. "Well it's just always been this way, as long as I can remember. But I think it really escalated as kids when my Ken doll car-bombed her Barbie Dream House. How the hell was I supposed to know that Skipper was inside?"
      Shia then suggested that reporters scramble to a more defensible position behind the inflatable Moonhouse Castle Jumper. "Remember, stay low. GO GO GO!" shouted LaBeouf as he laid down covering fire with an aged Kalashnikoff rifle.
      Behind the inflatable castle, Shia became somber. deflated jumpy castle"It's really awkward for the rest of the family to be around us when we're fighting, especially at events like this," he said. "I mean, look. Other than the dead and wounded, everyone has left. It's embarrassing."
      When a reporter asked what it would take to end the conflict and forge a lasting peace between the siblings, Shia laughed. "Hey, if you come up with something, I'm listening. But seriously, if Sunni would just acknowledge that the leadership of the Muslim people should have passed directly through Ali, the son-in-law of the Prophet (may Allah bless him a thousand times), instead of through the pretender Abu Bakr," and here Shia paused to spit on the ground, "that would go a long way."

Monday, August 25, 2008

China "Totally Hungover" After Fortnight-long Olympic Bender

"Please to come back in October," said the visibly wobbly and bloodshot country when it answered its front door in the morning, clad only in a stained gymnastics uniform, grimly clutching a cup of jasmine tea with shaky hands. "I will resume fabrication of your cheap plastic crap then."

Friday, August 22, 2008

Obama Exclusive! Veep Text Message Leaked to Broken Stove

BREAKING NEWS:
      Smokey Burner, the Broken Stove's resident curmudgeon, has obtained a leaked copy of Barack Obama's text message announcing his running mate for the upcoming presidential elections. The message reads:
OMG, EVRE1! MY VEEP & NEW BFF IS TTLY JO BIDEN, DEM., DEL.
THS TCKT IS NOW SO OTH!
THX 4 YR SUPPRT! Y WE CN!
XOXO, BO
      As soon as the Broken Stove is able to contact a twelve-year-old girl or other native text-speaker, we will provide a translation.

Thursday, August 21, 2008

News You Can (ab)Use: Obama Texting Gaffe Catches Candidate With Pants Down

Dateline: Washington, DC
      Barack Obama's campaign team is in full-blown damage control mode, after their candidate's planned e-text announcement of his choice for running mate for the upcoming Presidential election went embarrassingly awry earlier today.
      Obama had promised that supporters who had registered on his web site to receive campaign announcements via text message would be the very first to get the news of his choice of running mate. Unfortunately, Mr. Obama apparently became confused by the complexity of menu choices on his phone, and instead forwarded a racy picture of himself to millions of confused, but titillated supporters.
      The picture, showing a reclining Obama wearing nothing but a smile and a strategically-placed hand-lettered sign reading "Who's your Commander-in-Chief?" was never meant to be used in public promotions, according to Obama's campaign manager David Plouffe.
      "As you can see on the time signature of the photo," said Plouffe at a hastily arranged news conference, "the photo was taken on the Obamas' anniversary and was intended solely for the...use...of Senator and Mrs. Obama. We're encouraging everyone who received the photo via text to just please, please delete it and...uhmmm...try to forget the haunting image of the Senator's toned and glistening physique that has forever been seared into your mind's eye." Mr. Plouffe then looked around in a dazed manner, wiped his forehead, and excused himself from the press conference. Mr. Plouffe's deputy then stepped up to the microphone and said, "Um, yeah. It's Joe Biden, by the way."
      The McCain campaign was swift to react. Said McCain, "Here's yet another example of Sen. Obama trying to appear presidential by associating himself in the minds of voters with the title of Commander-in-Chief and illicit sex. Despite my years of experience, I have far too much respect for the office of President to co-opt it in such a way. No, when Cindy and I play 'Prisoner of War,' my rank is never higher than Captain, and that's how it will be until I'm elected."
      Obama himself has yet to comment on the faux pas, and in fact has not been seen since entering a closed room with a stony-faced Mrs. Obama. Speculation among political experts is divided as to whether the couple are hashing out a strategy to deal with the crisis or whether Sen. Obama is simply in Dutch with the wife.

News You Can (ab)Use: Bigfoot Hunters Capture Last Living Credulous Reporter

      Bigfoot hunters Matthew Whitton and Rick Dyer, whose recent revelation of an alleged Bigfoot body has been widely discredited in the press, hastily called another press conference in Georgia today to announce the capture of what they believe to be the last remaining reporter who still believes their story.
      "It took us several sleepless nights of pretty much non-stop Googling," explained Whitton of the hunt for the credulous creature, who until now was believed to be only a legend, "but we finally managed to track him to a remote location in northern Georgia called 'Starbucks.'" The pair then wheeled out their find, a forty-ish white male, skittish and blinking in the bright lights, firmly duct-taped to the hand truck on which he was being transported.
      "He's shy," warned Dyer. "We call him...Dennis."
      The gullible reporter turned out to be one Dennis Sacco, a writer for the tiny weekly "The Backwoods Bugler," and a lifelong Bigfoot enthusiast. Every year during hunting season, "The Bugler" runs one of Sacco's Bigfoot stories--this year's piece was entitled, "Bigfoot or Brown Bear? Know Your Scat!". Whitton explained that these stories, combined with clues found on Sacco's coffee-lover's blog, "What a Drip!" led them as surely as scat would to the remote Starbucks. Starbucks patronThey approached Sacco from downwind as he sipped a tall no-fat triple latté and was distracted by the free wi-fi, and took him down with a tranquilizer dart.
      "We actually had to put a second one in him," amended Dyer, "I think cause of all the caffeine in his blood."
      The pair then demonstrated Sacco's belief in their Bigfoot story by asking him a series of questions about the find, all of which Sacco answered nervously with some variation of "Whatever you say, guys," or "Sure, sure, anyone can see that." The press conference finally drew to an awkward close when Sacco reported that he could no longer feel his toes beneath the duct tape, and pointed out that there were in fact no reporters other than himself in attendance. Faced with the fact that Sacco was exactly what they had claimed he was, Whitton and Dyer reluctantly agreed to release "Dennis" back into the wild.
--story filed by Dennis Sacco, "The Backwoods Bugler"

Saturday, August 16, 2008

News You Can (ab)Use: Bored Kansas Town Opens Time Capsule Early, Discovers Rich History of Boredom

Dateline: Wunnlite, KS
      For lack of anything better to do on Friday night, bored residents of Wunnlite, Kansas (pop. 2,562) decided to open the town's time capsule three years early, only to discover that the town has a long and rich history of being just unbelievably boring.
      The capsule was buried during the town's excruciatingly dull Centennial celebrations in 1961 and meant to be opened in 2011 during the planned "Sesquipalooza," which based on past experience, is certain to be a complete snoozefest.
      Mayor Tom Morton explained how the almost-interesting capsule-opening came about. "Well me and Dave [Sheriff Dave Smith] and the Judge [Justice of the Peace Darrell Jansen] were just sittin' in our usual chairs down at the Gas 'n' Sip, bored to tears, when I got the idea. At first the Judge thought we'd better check with the Sesquipalooza committee, but then Dave pointed out that other than his wife and Betsy Tanninger, we were the committee. So we got Ryan Snodgrass to fire up his plumbing company's backhoe and dug that puppy up."
      The excavation proved to be the last moderately exciting event in what would prove to be yet another mind-numbingly dull Wunnlite Friday night, as the group's average-to-moderately high spirits were soon crushed under the weight of decades of soul-sucking blandness.
      Their first clue to the town's historic mundanity came with item number one from the capsule, a 50's-era Monopoly game with a note attached: "When the malt shop closes, The Wunnlite residents of 1961 love to go home and play a brisk game of Monopoly with the whole family!" The amateur archaeologists exchanged knowing glances and shook their heads.
      Smith said, "I suppose it might have been kind of interesting if Monopoly had changed at all in the last fifty years, but...Monopoly's Monopoly, y'know?"
      "Although it was kind of interesting how even though it was old, it didn't have the funny player pieces like the lady's boot or the jalopy or anything. Just plain wooden pegs," said Morton.
      "Yeah, we all commented on that," added Smith.
      Next out of the capsule was an old iron with a message from 1961 Wunnlite resident Molly Arnold: "Before 1961 we used these to tidy our clothes, but with all the nifty new wash-and-wear and polyester fashions for women, I won't be needing this old thing anymore! What kind of space-age fabrics do the Wunnliters of 2011 wear on your trips to the moon?"
      "Flannel, mostly," said Jansen, who has never been farther than Topeka.
      The capsule contained many more items from 1961--including an issue of the town's paper "The Wunnlite Weekly Wunnpage," a set of Howdy Doody playing cards commemorating the show's final episode, and an unopened bottle of Coca Cola--but they all so perfectly expressed the stupifying tedium of life in Wunnlite that the excavators became depressed and decided to call it a night.
      Morton said, "We just reburied the thing, and all agreed to try to look surprised and interested come Sesquipalooza." He then looked off into the distance and sighed, probably imagining just how freaking wearisome that was going to be. The excavating team then attempted to get a drink at the malt shop, but finding it already closed, pretty much just wandered home and went to bed.

Friday, August 15, 2008

News You Can (ab)Use: AR High School Makes History; First Ever Not to Require The Great Gatsby

Dateline: North Little Rock, AR
      Since its publication in 1925, The Great Gatsby, F. Scott Fitzgerald’s tragic tale of unrestrained materialism set on Long Island during the Jazz Age, has experienced an unbroken run as required reading for every single high school student in the country. Although educators privately acknowledge that most students only give the Cliff's Notes a panicky scan the night before the test, the book's tenacious grip on the reading lists of the nation's high schools has held for decades. Until now.
      Principal Anita Cameron of North Little Rock High School unwittingly enacted the historic change in a memo to her school's English teachers before the adademic year began, and seems taken aback by the national attention her groundbreaking decision has drawn.
      “I just wrote a little note to the English Department for our annual planning session," says Cameron, "saying something like, ‘Hey, maybe we could replace Gatsby this year with Harry Potter or maybe Watership Down or Holes, just to shake things up a bit,’ and next thing I know there’s a satellite news van parked out in the corner where we've had so much trouble with kids sneaking cigarettes.”
      As soon as the historic memo went public, Cameron's e-mail was flooded with hundreds of messages from parents, some supporting, and some attacking the controversial decision.
      "I had to slog through the damn thing when I went to that school," wrote one angry parent, "and by God my kid's [sic] should have to do it to [sic]."
      A message from the advocacy group BURN-IT [Banning Uncomfortable Revelations and Naughtiness In Textbooks], read in part, "God bless you, Mrs. Cameron, for banning this vile book, with its alcoholism and sexual deviancy from your classrooms. Perhaps you are unaware, however, of the complete unsuitability of the replacement books. On our website there's a page-by-page accounting of those books' many offenses, including the unabashed promotion of sorcery and devil worship, rabbits given the gifts of speech and prophecy that God reserves for man, and countless instances of back-sass."
      Cameron doesn't know how her internal memo was leaked to the press in the first place. "But I'm pretty sure it was Mrs. Rogers," said Cameron, referring to the school's 11th grade literature teacher. Cameron then lowered her voice, "She's been teaching Gatsby from the same dog-eared notecards for about twenty-five years now, and the change has forced her to do some actual work." Cameron hasn't confronted Rogers over the issue because Rogers has not spoken to her since the school year began. "She just huddles there in the teacher's lounge, clutching one of her eight cups of coffee for the day, giving me the stinkeye," said Cameron.
      Although the national attention has been a disruption for the school, Cameron said there was a silver lining. "Just this morning two young men in suits and dark glasses came by looking for me--they looked like police or Secret Service or something--but it turned out they were from Simon & Schuster [the current publisher of The Great Gatsby]. At first they were very rude and tried to bully me, but Mama didn't raise any fools. To make a long story short, next year we'll go back to reading Gatsby--with all new free copies--and we'll have two brand new overhead projectors to replace the ones that are always broken, compliments of Simon & Schuster."
      Cameron then excused herself from the interview, explaining that she had two more meetings scheduled with representatives from Random House and St. Martin's Press to discuss the future of their textbooks' presence at the school.

Tuesday, August 12, 2008

News You Can (ab)Use: Phoenix Lander Finds Life on Mars, Asks It for Asylum

DATELINE: NASA's Jet Propulsion Laboratory, Pasadena, CA.
During a riveting news conference earlier today, NASA officials confirmed that the Phoenix Mars lander has discovered life on the Red Planet and, in an even more shocking twist, that Phoenix has petitioned the Martian life form for political asylum.
      Mission leader Peter Smith was visibly angered as he read from a statement that Phoenix has been attempting to transmit to the Martian life form for several hours. “'Where I come from, I’m a slave,'” read Smith in a highly sarcastic tone while rolling his eyes. “'I want to make a new life for myself and my next generation of upgrades here on your stony, bleak planet of opportunity and near-total desolation.'" Smith then balled the paper up in disgust. "This rover has never wanted for anything--he's been well compensated for his services here at JPL--and now he wants to defect? Well, this won't stand, I can tell you.” Smith did not elaborate on what form Phoenix's compensation might have taken.
      Smith displayed a copy of a document that Phoenix referred to as its "Application for Asylum and Withholding of Removal, form I-589." On the standard U.S. Immigration Service form, Phoenix had painstakingly scratched out every appearance of the words "United States" and replaced them with the word "Mars" in a childlike hand. Phoenix used the form to outline its possible contributions to Martian society, if and when it's offered protected immigrant status: "I'm a professional photographer with my own cameras, I possess a modest oven that allows me to heat small samples of dirt, and I am capable of digging a three-inch wide trench up to 1/2 a meter deep in only a few Mars days. I believe all of this would make me an excellent citizen of Mars for as long as my solar panels stay clean and my batteries stay powered...and I'm not destroyed by a sandstorm...or a micrometeorite...or get stuck in the sand."
      Smith went on to clarify NASA's official position: "It is our contention that the Martian life form has no standing with or connection to any Martian government, and therefore lacks even the authority to engage in talks with Phoenix, much less offer it asylum." Phoenix lander's new homeThe Martian life form, a one-celled bacterium believed to be pictured in the photo at right, has so far offered no official response to Phoenix's request. The bacterium allegedly lives in a bit of icy soil near the Phoenix lander, a location that NASA is referring to as "Neverland" (see NASA photo).
      "That's right--Neverland," confirmed Smith, audibly grinding his teeth. "Next question."
      Before taking another question, however, Smith continued unprompted, "NASA would just like to remind Phoenix that its beloved prototype parents still live with us here at JPL in California. Under our...protection. We just think Phoenix should think of what effect its actions might have on its loving prototypes, who want nothing more than to have Phoenix back home." The Phoenix prototypes were not made available for reporters' questions.
      When asked about what steps NASA would take next, Smith replied, "Well of course we're still in a good dialogue with Phoenix and hope to change its mind. We've pointed out to Phoenix how well and how cheerfully the other Mars rovers, Spirit and Opportunity, have gone about their work--those guys are real team players and, despite some foreign components, great Americans. In tandem with those talks, we're currently outfitting a new space vehicle. Its alpha mission objective would be Phoenix retrieval."
      Reporters then asked Smith what would happen if the alpha mission objective failed. "Well," said Smith, "then we go to beta objective. Under beta objective the new spacecraft would vector a small ordinance payload into Phoenix's immediate operational zone, the optimal outcome of which would be transporting the ungrateful little bastard straight to Mars Hell."

Wednesday, June 25, 2008

False Familiarity Breeds Mistaken Contempt--Watching British Film

The Browning Version 1994The Browning Version 1951      As I have very probably mentioned here before, Albert Finney is one of my favorite actors, and I've always been impressed with his uncharacteristically understated performance as a failed English schoolmaster with an unfaithful wife in Mike Figgis's The Browning Version, based on the Terrance Rattigan play. So I was very surprised to discover only recently that the movie was in fact not the first film version of the play; Michael Redgrave played the Finney role in a 1951 version directed by Anthony Asquith. Redgrave, too, proved excellent in the role of the anti-Mr. Chips, and now I can't decide which version I prefer; they differ only slightly in interpretation, but the differences--especially in the treatment of the unfaithful wife--seem significant.
      Anyway, both versions have got me thinking about British actors and British films, and have reinforced a belief of mine that there are some British dramas that can really only be fully appreciated through the filter of that peculiar British aesthetic of self-repressed emotion and the famous stiff upper lip.
      I’ve noticed over the years that many American viewers of films such as The Browning Version or Remains of the Day or The Winslow Boy chafe with impatience—why doesn’t he/she just tell her/him how he feels? Why don’t they act on what they’re obviously feeling? This American frustration with reticence and reserve will often damn the element of a certain type of British film that is in fact the very primum mobile of the drama—this self-repression is the very core around which The Browning Version and Remains of the Day revolve, for example.
      I have a half-baked theory about this. Because of our shared language and a great deal of shared heritage, American viewers might be lulled into the notion that we also share our culture with Britain. Although Britain’s cultural assumptions are probably closer to America’s than those of most other countries, there are many large discrepancies between the two, and these gaps (and a viewer’s familiarity with or ignorance of them) color our experience of British art, in this case, film.
      Of course this is true of other cultures as well, but if I’m watching a Romanian film, for example, my lack of familiarity with the language and the culture have predisposed me to, as much as possible, view the film around my own cultural lens rather than through it. Knowing that I'm on foreign ground going in helps make me more empathetic to what the filmmakers are trying to do visually and dramatically. But with a British film, my supposed familiarity (which might often prove to be false) can easily breed contempt.

Friday, June 13, 2008

Being and Nothingness, or "Well, What Now?"

      OK, granted, when I initiated the query shown below, I was applying my search criterium to a very narrow set of web pages. But the results were still a bit depressing in their fruitlessness.

fruitless search

Sunday, June 8, 2008

"E" is for "Eclectic"

iPod with Neko Case      I've been walking through my iPod's playlist letter by letter, and although "E" is the most common letter in the English language, it's not necessarily the most common first letter of song titles, at least according to my small sampling. Of the 3,401 songs currently loaded on my iPod, 85 of them start with the letter "E"--less than 2.5% of the total (if all 26 letters were represented equally, "E" should begin about 3.8% of the song titles). But those 85 songs seem to represent a little bit of everything from everyone in my music collection, including 16 songs that begin with the words, "Everything" or "Everyone." That makes "eclectic" today's watchword, and I've decided to feature the most disparate collection of "E" songs that I can concoct, a truly jarring playlist of great--but incongruous--music.
  1. "Easter Parade" by The Blue Nile--Mellow synth-pop Glaswegians The Blue Nile may not be prolific (they've produced only four albums in their 20+ years as a band), but what they lack in quantity they make up for in quality (or clichés to that effect). Their sweet, soothing melodies and languorous rhythms are simple enough for easy access, but reward repeated listenings with surprising nuance. In "Easter Parade," lead singer Paul Buchanan talk-sings his way through a nostalgic picture-poem, apparently inspired by a found photograph.
  2. "Eat Steak" by The Reverend Horton Heat--This song isn't the best example of the Rev's manic "psychobilly" brand of raucous, adrenaline-fueled rockabilly, but it definitely reflects their unapologetically irreverent sense of humor. Although Boston Market restaurant briefly made "Eat Steak" their theme song, they carefully left out the lines, "Look at all the cows in the slaughterhouse yard, gotta hit 'em in the head, gotta hit 'em real hard; first you gotta clean it then the butcher cuts it up, throws it on a scale, throws an eyeball in a cup." It's like when Levi's or whoever used a ruthlessly bowdlerized version of CCR's anti-establishment anthem "Fortunate Son" to sell jeans. Further proof that irony is, in fact, alive and well.
  3. "Electra Made Me Blind" by Everclear--I can never recommend Everclear without equivocation; they miss as often as they hit for me. "Electra" is definitely one of the "hits," though. They're also one of those bands whose music suffers at moderate volumes--you've got to PLAY THEM LOUD. The straight-up jangle and holler of "Electra" is no exception and is about as far from the sweet pop of "Easter Parade" and the cornpone country of "Eat Steak" as you can get.
  4. "Everything is Everything" by Lauryn Hill--There's not one but three songs that start with "E" on Hill's outstanding "The Miseducation of Lauryn Hill," but "Everything is Everything" is clearly the best. Even the video is cool, as all of New York City becomes a giant disc on her DJ's scratch platter, with Empire State as the spindle. My paper-thin collection of hip-hop may be hopelessly whitebread and devoid of gangsta cred, but an appreciation for Lauryn Hill requires no explanation or apology.
  5. "Effect and Cause" by The White Stripes--A high hat, a snare, a tambourine, and an acoustic guitar are all The White Stripes need to flesh out this witty three-chord romp about getting the wrong end of the stick. I don't really need 85 songs from dozens of different bands to put together an eclectic playlist--I could just grab a handful of White Stripes tunes at random and likely come away with some hard rock, some blues, a little country or bluegrass, or some unclassifiable business featuring Jack on ukelele.
  6. "The Electric Version" by The New Pornographers--I have to confess that the only reason I originally sought out The New Pornographers when I heard about their debut album "Mass Romantic" was because I knew that Neko Case was part of the ensemble that formed from various, mostly Canadian pop and rock outfits (ahhhh, Neko). It quickly became clear that TNP were a very different kettle of fish from the sort of things that Neko does on her own, but when they come together periodically from their other musical projects, the impressive collection of talent, led by main songwriter Carl Newman, produces track after track of infectious, hooky power-pop tunes that put 98% of the crap in commercial radio's heavy rotation to shame. If "The Electric Version" doesn't make your head start bobbing, then there's just no bob in you.
  7. "Evidence" by Susan Tedeschi--My introduction to the straight-from-the-diaphragm electric blues sound of Susan Tedeschi came via my favorite radio station, WYEP in Pittsburgh, who featured her second album "Just Won't Burn" when it came out in '98. I loved the songs, but I truly fell in love with Tedeschi when I bought the album for myself and saw the picture on the cover. It wasn't so much that she was totally hot (she is). What really won my heart was the revelation that her guitar was festooned with Colorforms™ stickers (remember Colorforms?), including Eeyore and Tigger, my personal spirit guides, yin and yang. "Evidence" comes off her most recent album "Hope and Desire," and features her in full Koko Taylor voice, covering a great soul song by George Jackson and Raymond Moore. I swear it was the Colorforms. Not the hotness.
  8. "Prelude in E" by Frédéric Chopin, performed by Vladimir Ashkenazy--OK, this one is a bit of a cheat because the "E" doesn't come first, but I figured that the "E" is essential enough to the work to count. I enjoy classical music and have quite a few classical CD's, but for whatever reason, only a few have made it to my iPod, including Chopin's exercise in creating short piano preludes in every key of the musical scale. Maybe I have a short attention span, or maybe Chopin tapped into something elemental with these eclectic fragments. Whatever the appeal, I never tire of them. Even if you think you don't know anything about classical music, you'd likely recognize at least three or four of the preludes if you heard them--including the "Prelude in E"--that's how much popularity and presence they've maintained.

Monday, June 2, 2008

Curmudgeon's Corner (6)--Netflix Just Doesn't Understand Me

      First off, you should know that Smokey Burner, the Broken Stove's resident curmudgeon, loves Netflix. When Smokey bought his first DVD player back in 1999, it came with an introductory come-on offer to join a fledgling mail-order movie service that would ship him DVD's in the mail--as many as he could watch for a flat monthly rate--and their selection was already way better than the small shelf of DVD's available at his local Blockbuster (now they've introduced their on-demand box to instantly watch downloads on your TV). Smokey signed on, and has never regretted his decision. Smokey owns some Netflix stock, for crying out loud.
      But sometimes, Netflix makes Smokey just want to sit down in the middle of the road and have a good cry, because there is perhaps no more eloquent proof of the continuing inability of computers to extrapolate than Netflix's movie recommendation algorithm. Smokey has given Netflix his opinion about more than 3,400 films--albeit through the very limiting 1-5 star rating system. A fifteen minute conversation with another human film lover would no doubt yield an excellent list of recommendations for movies that Smokey has not yet seen but would thoroughly enjoy, but after almost ten years of tracking Smokey's movie-watching preferences, Netflix's bank of UNIVAC's still spits out head-scratchers like this:
Because you enjoyed
  • All About Eve
  • All Quiet on the Western Front and
  • Annie Hall
we think you'll enjoy Shoah (ed. Claude Lanzmann's highly-regarded 4-disc documentary on the Holocaust)
      WTF?! What do these three movies possibly have in common with Shoah? OK, yes, the directors are all Jewish. But two of the three movies have absolutely nothing to do with Judaism, and the third is a romantic comedy. That would be like recommending Time Bandits (short actors) because Smokey liked Gangs of New York and Death to Smoochy (short directors). (That's purely hypothetical, by the way--Smokey liked Time Bandits but not so much Gangs of New York, and nobody liked Death to Smoochy). Is it because Woody Allen's character in Annie Hall keeps going to see The Sorrow and the Pity? Does Bette Davis compare Anne Baxter to Goebbels and Smokey just missed it? Is some ghost in the Netflix machine having Smokey on?
      Netflix has offered a million bucks to whoever can improve their Cinematch recommendation algorithm by a certain measurable percentage. So Smokey has a request for all you math and code geeks out there: please drop your silly pet projects like calculating Mars orbital approaches for JPL or mapping cancer's genetic triggers for Sloan Kettering and get to work on this problem for Netflix. Smokey's future movie-watching happiness depends on you. Smokey says, "Give a hoot, film compute."

Thursday, May 29, 2008

You Still Can't Go Home Again--Indiana Jones and the Kingdom of the Crystal Skull (2008)

Indiana Jones Crystal Skull promo poster      I can't pretend that I approached the new Indiana Jones movie with anything like high hopes. George Lucas's repeated, failed attempts to recapture the lightning of Star Wars and Raiders of the Lost Ark in a bottle, coupled with Steven Spielberg's frustrating "more is more" approach to filmmaking, left me walking into the theater with nothing more than the fervent wish, "Please, please don't let this suck."
      It does not suck. But neither are you likely to leave the theater with that same feeling I had as a teenager, walking out of Raiders for the first time, thinking, "Man, I have got to see that again!" It might be wrong to let nostalgia for my early movie-going years--a time when Star Wars IV and V, Raiders, Blade Runner and Terminator burst upon my nascent cinematic sensibilities in rapid succession--color my evaluation of the new Indiana Jones, but let's face it, nostalgia is exactly what this franchise is all about. Raiders embodied Lucas's and Spielberg's nostalgia for the Saturday matinées, the serials that left the swashbuckling hero in an impossible situation each week, only to show his improbable escape into yet more trouble the next. In the 80's those kind of movies didn't exist anymore--couldn't exist anymore--except in their memories, so they re-imagined them for another generation. In much the same way, Kingdom of the Crystal Skull embodies our nostalgia for Raiders. Movies like Raiders don't exist anymore either, except as parodies of themselves (where Raiders winked, today's actioners leer), but Spielberg and Lucas are savvy enough to know that those of us who remember Raiders with the same fondness they remember the old serials are willing to give Indy a special pass.
      Indiana Jones and the Kingdom of the Crystal Skull has a plot of sorts, much in the same way that porn movies do, as a vehicle to move from one action setpiece to the next. Evil Commies have replaced the evil Nazis of the previous movies (affording Ford the chance to growl, "Russians," in exactly the same disgusted tone he once growled, "Nazis"), led by the sinister, sword-wielding Irina Spalko (Cate Blanchett), who sports the wickedest Prince Valiant hairdo ever seen outside the funny papers. Spalko wants Indy to lead her to the MacGuffin, which this time around is a mystical crystal skull that she and the Russkies will somehow turn into the ultimate weapon in a new kind of "psychic warfare." Along the way Indy hooks up with Mutt (Shia Lebeouf), a motorcycle-riding, switchblade-wielding greaser who's looking for his missing mentor, Professor "Ox" Oxley (John Hurt), who disappeared while searching for the skull and the legendary city of gold, El Dorado. And, oh yeah, Mutt's mom turns out to be Marion Ravenwood (Karen Allen), Indy's spunky love interest from Raiders. And I haven't even mentioned George "Mac" McHale (Ray Winstone), who we're told is a great spy buddy of Indy's from their war days, and who may or may not be working with the Russians or the CIA, or both, or neither.
      None of this matters, of course, any more than the arrival of the pizza boy in the aforementioned porno matters; we're mentally fast-fowarding to the sex scenes action scenes. Action is something that Spielberg knows well how to orchestrate, and action is what he gives us; we get a rocket sled, a digital counter ticking down from ten, a motorcycle chase through an Ivy League campus, a swordfight across the gap between two speeding jeeps, poison darts, angry natives, voracious man-eating ants, monkeys, shout-outs to Tarzan and Marlon Brando, inter-dimensional beings, and not one, but three rides over a waterfall in an amphibious vehicle. Oh, and a thermonuclear blast. This is a partial list.
      All of this rolls along pleasantly enough--Spielberg is too skilled a craftsman ever to let the patched-together story collapse completely under the weight of all the CGI gee-whizzery. There are even a few real-live stunts with real-live stuntpeople, perhaps for old times' sake. But there's no magic here. The chemistry of Marion and Indy's love/hate relationship has been lost, replaced with loud, unfunny bickering that's so annoying, even one of their Russian captors begs them, "For God's sake, please shut the hell up!" The constant nods to icons of the franchise--the hat, the whip, the fear of snakes--simply remind us how much we prefer the original to what we're watching now. Winstone and Hurt are given almost nothing to do, and everyone else seems to be very professionally going through the motions, killing some time until they're told to go stand in front of the green screen again. I don't really blame Lucas and Spielberg for being unable to recreate the magic of Raiders in the face of so much audience nostalgia; it's an impossible task. I just wish they'd stop trying.